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But the Texas country/rock hybrid quickly shows he’s lost none of his independent edge or unpredictability. This isn’t your grandfather’s country: Wetzel’s first album after officially signing with Columbia Records (hence the title) comes with plenty of explicit lyrics warnings. Morgan Wallen Announces 30-Track Double Album 'Dangerous': The 'Idea Started Off As Just a Joke'
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Look for “We’re ready as truck stop ice” to become your next catchphrase. The sung/spoken tune is as lightweight as they come and blessedly so, given these dark times. “It’s about time for a drink,” Dickerson sings on this uptempo party of a song that will make you forget every one of your troubles and make you want to open up a cold one yesterday. 1 for Garth Brooks), but songs like “Save the Roses,” a tune written from the perspective of a dead person at his funeral, are keepers from first listen. Not every one of the 15 tracks here rises to the level of current single “Memory I Don’t Mess With” (a worthy successor to “More Than a Memory,” the Brice-penned 2007 No. He co-wrote all the tracks here with fellow heavy-hitters, and the tunes reflect a wide range of topics, from country living and drinking to weightier themes. 1s, “I Hope You’re Happy Now,” with Carly Pearce, and “One of Them Girls.” For the casual fan, Brice’s “everyman” appeal hides his superpower as one of Nashville’s top songwriters. It’s arresting in its honesty.īrice‘s new set has already spawned two No. “Somebody’s Problem” is an acoustic charmer about realizing you’re happily about to take on someone else’s problems as you fall in love and “Still Goin’ Down” hits all the usual tropes about pride in small-town life, but the real winner for Wallen here, lyrically and musically, is the dark “Livin’ the Dream,” which gives insight into the isolating and often corrosive effects of stardom (all the more illuminating given Wallen’s issues earlier this fall that led to his losing his SNL musical guest spot). The newly crowned CMA new artist of the year drops three tracks from his forthcoming 30-track set, Dangerous: The Double Album. Brooks’ fans know he always reserves the last spot on the album for his favorite song and “(Sometimes You’ve Got to Die To) Live Again,” a dramatic, piano- and string-based ballad featuring Brooks’ supple vocals soaring from falsetto to arena rocker with ease, will likely be a listener favorite as well.
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Lovers of such songs as “The Change” will likely champion “The Courage of Love,” a lush, anthemic turn about finding the strength to do what’s right, and fans of his wife, Trisha Yearwood, will eat up their cover of A Star Is Born’s “Shallow,” where she holds a powerful command. Brooks shows off his underrated soulful side on the gospel-tinged, rollicking “Amen” (which is about anything but heavenly pursuits), and he and Charley Pride are beautifully simpatico on “Where the Cross Don’t Burn,” a duet about the enduring friendship between a young white boy and older black man, despite racist times. Many of the oft-delayed Fun’s 15 songs, including previous singles “The Road I’m On,” “All Day Long” and “Dive Bar” with Blake Shelton, live up to the upbeat title, as does Cajun twister “Party Gras (The Mardi Gras Song),” but there’s a lot more going on in this diverse set. But when you’re the top-selling solo artist in the U.S., calling your own shots is not only your prerogative, it’s mandatory. He’s never paid attention to trends or fads to curry radio’s favor. (Only available to Amazon Music subscribers, but listeners can sample the album here)įrom his self-titled debut album 31 years ago, Brooks has always known his strength: not trying to be anyone but himself, not even his hero George Strait (though “That’s What Cowboys Do” sounds like it fell off a Strait album).